My name is Evan, I draw stuff. I am currently studying architecture at the University of Toronto.
Wanderer Above the Sea of Fog by Caspar David Friedrich
reblogolom, mert mindig elfelejtem a festő nevét, most hátha megjegyzem
Whenever the emails pile up or the traffic grinds to a crawl, many of us fantasize about leaving it all behind and unplugging from the grid. The people in Antoine Bruy’s ongoing photo series Scrublands have actually followed through, disconnecting from the trappings of modern life even when it means jumping into a new lifestyle they know nothing about.
“I wanted to meet them and see how they managed to learn something which they were not used to,” says Bruy, who lives in France. “Most of the people are not from farming families or anything.”
Bruy has been photographing around Europe for the project since 2012, visiting some 15 encampments in his home country as well as in Romania, Spain, Switzerland, and Wales. He’s focused on those who survive as sustenance farmers, by raising livestock, or hunting. Now he’s holding a crowdfunding campaignbecause he’d like to extend the project to the United States, the country whose history he says inspired many of his subjects.
Paul Rudolph, Graphic Analysis of The Barcelona Pavilion by Mies van der Rohe
Brutalism for the kids
Balfron Tower, London, Ernő Goldfinger, 1967. View this on the map
tisztul a #budapestmakett elötérben az astoria, mögötte a a vár és krisztina tér
Walker Evans’ Chrysler Building under construction, New York, 1929 (via Art Blart)
Ludwig Mies van der Rohe (1886-1969) with Philip Johnson (1906-2005) | The Seagram Building | 375 Park Avenue | New York | 1958
sleeping cabin, tim prentice, remodelista.com
#budapestmakett ilyen lesz/ilyen volt
"Katherine Baxter’s work is exquisite, whether small or large scale. Meticulous research goes into every ‘jewel’ like piece, and the pleasure she derives from producing these, is communicated to us all. There is complete mastery of the axonometric projection, as can be appreciated in her grand London and New York posters. It is, as if one is transported by hot air balloon, floating gently over all those much loved and beautifully painted landmarks.” David Driver Head of design, The Times